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Storylandia
The Wapshott Journal of Fiction
Issue 7

Julie Travis
The Falling Man
How many souls are there in Heaven?
Perhaps it is not our place to know or even ask such a thing. But if we did, would the real question be how many truly deserve to be there? If anyone had asked Joseph Gray he would have laughed, a bitter and angry sound. He was the one person who could at least estimate how many souls had passed through Heaven’s gates and, more importantly, he knew for certain how many had done so on merit. The numbers, he’d smirk, don’t add up, do they?

Rohan Roberts
A New Awakening
Part 1: The Beginning
It took them a surprisingly long time to figure out that they were living in a universe that was just one bubble in a vast surging cosmic ocean filled with other bubble universes. But in a few hundred years after this discovery, it became common knowledge and found its way into the textbooks of their kindergarten students. Terms such as multiverse, metaverse, megaverse rapidly gained currency among the children of their species. Parallel dimensions, doppelganger particles, holographic realities, and hyperspace became an integral part of the primary school science curriculum in schools all over their home planet.

David Neilsen
My Partner
My favorite part is when I rip through their flesh.
I love the way the skin gives for just a millisecond, as if by bending inward it can somehow avoid the inevitable. Then, almost immediately, the battle is over, the flesh is torn open, and I pierce into a whole new world. It’s a world not of air, but of viscera. Not of sound and light, but of blood and bone.

Irene Turner
Dead Places
Memories are futile here. We erase the past because it works better that way. New settlers are full of Earth gossip and trip stories and don’t understand why we nod politely, but don’t listen. We came to Mars for space.


Storylandia 7 now on Kindle!

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Storylandia 7 on Kindle. And if you have Amazon Prime and a Kindle, you can borrow it through the super special exclusive Kindle program it will be on for 90 days.

Coming Soon! Storylandia 8! Dr. Hackenbush Gets Some Culture

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Ginger Mayerson

Dr Hackenbush Gets Some Culture

1989

“Why am I here? What am I doing here? What have I done to deserve this? Why must I suffer?”

Mabel Hackenbush, vocalist, front-woman and baritone ukulele player extraordinaire for Dr. Hackenbush and her Orchestra, leaned over the man in a baggy tuxedo curled into fetal position on the garden bench. She didn’t lean too far because her black horn-rim glasses slid down her nose and her form-fitting evening gown gave new meaning to the words ‘plunging neckline’; this neckline was deep like the Mariana Trench is deep. “What was that, Arlo?” she snapped. “Speak up, pal, I can’t hear a word you’re sayin’ down there.”

Arlo Mega uncurled and leapt to his feet and shook his fist at the oak tree, and presumably the heavens, above them. “I said, why must I suffer?!” He yelled this, so not only Hackenbush but the party guests nearby heard it as well.

“Because you’re a great artist, but a fucking disaster in social situations.” Hackenbush smiled pleasantly and waved at the people staring at them as she said this. “And if you won’t drop this martyred artist pose I will leave you here all by yourself to defend yourself from these art patrons, posers, socialites, and other such weirdoes.”

Arlo got a hurt look on his face. “You wouldn’t do that to me. I asked you to help me through this ordeal.”

“Then straighten up and fly right, Mr. Mega,” Hackenbush sighed, adjusting her black horn-rim glasses. “Or at least do your half of the schmoozing. I didn’t give up one of my precious nights off to listen to you whine.” She pulled his jacket shoulders back into some semblance of order; there was nothing to be done with his hair, which stuck up in coarse black tufts even on good days. “Remember, it’s all for a good cause. You like East LA Graphics as much as anyone who studied there.”

“This is a stupid way to raise money,” Arlo grumbled, pulling his cuffs straight.

“I heard they fed you pretty good lunches,” she said, lighting an unfiltered Pall Mall and picking a shred of tobacco off her tongue.

“Food! Who can think of food when you’re standing in a room with other artists copying a Siqueiros easel painting, one I’d never heard of, and wouldn’t have heard of if this sick obsession white people are having with Frida Kahlo wasn’t driving the prices of every dead Mexican painter through the ceiling. Thanks,” he said, accepting a Pall Mall and a light. “Don’t get me wrong, Hackenbush, I have nothing against Siqueiros and Kahlo,” he continued. “I think it’s high time they and that whole scene, except Rivera, got more recognition. It’s just having twelve ‘up-and-coming’ LA painters copy the damn thing so Mr. Lawrence Vogler can show off his Siqueiros that he probably got for a goddam song in the sixties, and then auction off the copies and the money goes to ELAG.” Arlo favored her with one of his best sneers. “What a joke. If they really cared, they’d just auction off some of the work in my studio and give me a cut. I’d settle for half.”

Storylandia 8 on Kindle pre-publication

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Now on Sale! Storylandia 8: Dr. Hackenbush Gets Some Culture

Now on sale: Storylandia 9 “Rose”

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Storylandia 9: Rose
by Rebecca Lartigue


Cover by Jennifer Bentson (text free image)
Sampler (pdf)
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She is called Rose, and she works in a House of Pretty Ladies. This is not me, I am not here, she tells herself when she is with clients. But the night after the city falls victim to a conquering empire, she encounters a young prince whose sadness makes it impossible for her to keep her own griefs forgotten.

Spring comes, and Rose becomes more restless. The conquerors start home but the prince lingers, and she wonders if he will ask her to go back with him. She does not know if she loves him, or if that even matters. For the first time in the years since she fled to Madame’s House, Rose considers what she wants and whether it might be possible to hope again. It would mean becoming open as a child: it would mean believing that there could be comfort and solace, relief and love.

A novella and anti-fairy tale with a medieval setting, Rose explores themes of love and loss, healing and the fragility of hope.

Rebecca Lartigue teaches literature at Springfield College. Last year the Springfield Cultural Council (a local division of the Massachusetts Cultural Council) awarded her an Artist Fellowship in support of her fiction. Her work has appeared in The Speculative Edge and is forthcoming in Massachusetts Review. She can be reached via the contact page at www.rebeccalartigue.com.

Congratuations to Paullette Gaudet

Two reviews of Storylandia 9, “Rose”, at Library Thing

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Note: Storylandia 9, “Rose”, is a 20,000 word novella, not a short story, even an extremely long one. ED

“Storylandia is a very brief work of fiction that follows Rose, a “Pretty Lady” who lives in a home similar to a Brothel, but more upscale. She is the “head girl” and entertains men nightly in a land of princes and barons, the days of Yore, I would guess. Even though this is an extremely short story, I felt like the author didn’t rush through or try to cram too much in. She told Rose’s story in a clear, concise way, and I felt like I “knew” Rose. There were a few twists and turns in the plot, and though the ending may have been predictable, the route Rose took was anything but.”
Library Thing, June 6, 2013

“I received this book through the members giveaway on Library Thing. I enjoyed Rose’s story. She had a sad life and was able to put up mental barriers to protect herself from accepting her situation. Until one day when she meets another sad soul who unknowingly breaks down her barriers and forces her to take a good look at her life. This ultimately makes her decide if she truly wants to be happy or if she wants to continue her life the way it is. This is a nice short story about a woman who ultimately decides that she wants to find happiness for herself even though it seems she is doomed to a life of misery.”
Library Thing, April 12, 2013


Coming soon: Storylandia 10 – Death Among The Marshes

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Storylandia 10 – Death Among The Marshes, by Kathyrn L. Ramage

Chapter 1 Sampler

Cover “Misty” by Eleanor Leonne Bennett

Storylandia, The Wapshott Journal of Fiction, Issue 10. The novella “Death Among the Marshes,” a murder mystery set in the Twenties by Kathryn L. Ramage.

Storylandia 10 is now on Sale! Death Among the Marshes, a murder mystery set in the Twenties, by Kathryn L. Ramage

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Storylandia 10 – Death Among The Marshes, by Kathyrn L. Ramage

Chapter 1 Sampler

Cover “Misty” by Eleanor Leonne Bennett

Storylandia, The Wapshott Journal of Fiction, Issue 10. The novella “Death Among the Marshes,” a murder mystery set in the Twenties by Kathryn L. Ramage.

Excerpt:

Death Among the Marshes
A Murder Mystery Set in the Twenties

The Great War had made many boys into old men, but in spite of all he’d suffered, Frederick Babington still looked surprisingly youthful for his 26 years. He was a pale, intense, and solemn young man—more pale, Billy thought, since he’d been wounded so terribly. At least he no longer limped and the burn scars on the small and ring fingers of his left hand were now only puckered reddish skin. His dark hair had been cropped short during his last stay in a private nursing home over the winter past, but it was growing out again and beginning to curl just as it used to.

Billy watched as one loose curl fell forward over Freddie’s brow as he returned his attention to the book he’d been reading before the interruption, a newly published mystery novel titled Whose Body? When Freddie lifted his eyes from the page a moment later, Billy pretended an interest in the book.

“What’s that one about?”

“There’s a dead body that turns up in a bathtub, quite starkers—not a stitch on except for a pair of gold pince nez—and nobody seems to know who the dead chap is, not even the people who live in the flat where the bathtub is.”

“I don’t see how you can read such things, about dead bodies and such, after– well– after seeing so many dead folk yourself in the trenches.” Billy felt sure that dwelling on the subject of murder had done no good for Freddie’s state of mind.

But Freddie responded, “This is different. It’s not real, you know. The murders in these stories are always somewhat fantastic and never have the true stink and ugliness of death about them, not at all like the terrible things you and I have seen. And it’s all cleaned up in the end. I’m quite certain the detective chap in this one will find out who the naked body in the bath is and discover who put him there in the last chapter. They always do. It’s quite comforting in its way.”

He set the book down across his knee. “All the same, Billy,” he admitted, “I can’t help noticing how the war’s begun to creep in. I first started to read murder mysteries as a sort of escape into fiction. But in this one, the fellow who’s doing the detecting has been through it just the same as we have. He’s even been shell-shocked. The one I read before this, you remember, about that funny little Belgian detective? Well, he was a refugee and his sidekick was home on leave after being wounded. The war was all around the edges of that story. I think I prefer good old Sherlock Holmes to these modern mysteries. He’s a touch old-fashioned, but the worst you’ll find in those pages is poor Dr. Watson’s wandering wound from some Afghan campaign. Nothing to remind me of things I’d rather forget.”

They were within a few miles of the Downham Market rail station. As Freddie looked out at the familiar, flat countryside, he sighed.

“I could’ve come here when I was just out of hospital,” he told Billy. “The family would’ve been glad to have me home again, but I couldn’t do it. Marsh Hall is too noisy and crowded. Too full of well-meaning aunties who would make an endless fuss over me. Once I was through with the war, all I wanted to do was rest and read and try to pick up my life where I left it off in `14. I wouldn’t have come here now if it weren’t for Bertie’s dying so suddenly.”

“This cousin of yours,” asked Billy. “Was you and him close?”

“We grew up together at Marsh Hall,” Freddie answered. “He was my first half-cousin, just like Kell, but a year or so closer to my own age than Kell is.”

“I never heard you mention him `til you got that telegram about his being drowned.” Although the young Marshes had also visited Sir Hilliard’s home, now that Billy thought about it, he couldn’t recall meeting Mr. Bertram Marsh for himself. But there were so many Marshes; it was hard to keep track of them all.

“I hadn’t seen him in years, not since I went off to university. We were never very friendly, even as children,” said Freddie. “His father didn’t encourage it. Uncle Kellynch—the one my cousin Kell is named after—was always at his brother Lord Marshbourne’s right hand, you see, and since Kell has no brother of his own, Uncle Kellynch seemed to think that his son Bertie ought to stand beside Kell in the same way. He never liked that Kell and I were best friends and Bertie was pushed off to the side. After my parents died, Aunt Emily and Uncle Win became like another mother and father to me. I think Uncle Kellynch was afraid that they might adopt me. He saw me as a usurper, as if I’d taken the place that his son ought to have. Bertie must’ve had some of the same feelings, even if he wasn’t very fond of Kell and Kell didn’t like him.”

The train had been moving more slowly during the last few minutes and now it stopped at the Downham Market station. The two young men got out onto the platform and while Freddie surrendered both their tickets to the station master, Billy retrieved their bags from the porter. They went out through the wooden gate at the end of the platform.

A smart little bright red roadster sat idling in the paved area usually reserved for cabs and luggage carts. A handsome young man with honey-colored hair and a dimpled chin was at the wheel; at the sight of the pair, he waved a hand and called out, “Freddie, old thing!”

Freddie’s cousin Kell had come to meet them.

The Honourable Captain Kellynch Meredith St. George Marsh, DSO, DFC, MC, was the only son and heir to Lord Marshbourne. Since becoming an officer in the Air Corps during the final months of the war, he had grown a neat little tawny mustache that only made him look more dashing. Billy disliked him heartily. Kell Marsh was just the type to have every good thing in life come his way and receive it all as simply a matter of course. Not only had he enjoyed a brilliant and distinguished war record, but had come through it all without a scratch. So had Billy, but he resented Kell’s luck on Freddie’s behalf.

“Kell, hullo!” Freddie exclaimed in surprise. “How did you know which train we’d be on?”

“There aren’t that many running up this sleepy little line. Besides, Mother told me about your wire. You said you’d be here in time for dinner. Come on, hop in!”

“Can all three of us fit into this contraption?” Freddie looked doubtful.

“Of course.” Kell stretched one hand over his shoulder to flip open a tiny compartment on the back of the vehicle and reveal a third cushioned seat. “Your chum Billy can go in there with your bags tucked down at his feet. Plenty of room! In you go, Bill.”

Billy grumbled to himself as he climbed up into the seat, but it was either squeeze himself in with the baggage or let Freddie drive off with Kell and walk the seven lonely miles between Downham Market and Marsh Hall. He had barely settled in before the little roadster zipped off. The rail station was at the edge of the town and they were soon speeding along the northward road through the flat countryside toward Marsh Hall.

“By the way, I won’t be joining you for dinner,” Kell announced, shouting over the putter of the car’s engine. “Phil Tollarhithe’s taken a room at the George and Dragon at Marshbanks, and I’m staying with him.”

“I thought you and Phil had one of the cottages on the Hall grounds?” Freddie shouted back. Phillip Tollarhithe was a cousin of Kell’s on his mother’s side, as well as his closest friend. Phil was at Cambridge, but the last Freddie had heard he’d come to visit the Marshes during the Easter holiday break.

“We were, `til Father threatened to toss Phil off the property. Naturally, we couldn’t stay on after that.”

“What happened?”

“We had a devil of row, Father and I, and I couldn’t stick it another minute. He rather suspects…”

“Suspects?”

“Well, you know. About me and Phil.”

Freddie did know all about Kell and Phil. “Do you want us to stay at the Inn while we’re here?” he asked.

“No, you’d better go on to the Hall. Mother’s expecting you. She’ll be delighted to see you, and you can work on Father on my behalf. He likes you. He’s always said you were a lad of uncommon sense, and he might listen to you. I’m going to need a friend, Freddie.”

“Of course,” responded Freddie. “But whatever for? Not over Phil?”

“No, not over Phil. There’s something else I haven’t told you about yet, old chap. Bertie wasn’t drowned. When they pulled his body out of the river, they found he’d taken a nasty cosh to the head. The police think he was murdered. They think I did it.”

Storylandia 11: Dr. Hackenbush Gets a Clue

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Sample
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It’s 1986 and there’s trouble in Macarthur Park, and Mabel Hackenbush, better known as Dr. Hackenbush of Dr. Hackenbush and her Orchestra, is up to her neck in it. She’s trying to help out her friends Anna Kodaly and Ross, and winds up in the middle of a mystery in the elderly Westlake section of Los Angeles. Oh, and during all this she and the band and are playing gigs wherever and whenever. It’s a Hackenbush mystery in the best tradition of the other Hackenbush mystery, “Dr. Hackenbush Gets Some Culture.”

As of the October 2014 issue Storylandia will be a single author journal

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Yes. Please send us either novellas between 20-50K words or a collection of stories that add up to between 20-50K. Thanks. And please enjoy the final multi-author issue in March 2014. Please visit our submissions guidelines for information on how … Continue reading

“Death Among the Marshes” (SL 10) review

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“The detective with a notebook is a commonplace in murder mysteries, and Death Among the Marshes pays homage to this trope, not once but twice – the investigating police detective brings one out, as does Billy Watkins, the manservant of the main protagonist Frederick Babington. Set in the early twenties, this clever novella also gives specific mentions both to the Sherlock Holmes stories and to the first of the Poirot mysteries by Agatha Christie, The Mysterious Affair at Styles (1920). Set in the fictional Norfolk pile of Marsh Hall, seat of Viscount Marshbourne, by the village of Marshbanks, Death Among the Marshes is Kathryn Ramage’s way of having fun with the country house mystery genre while also acknowledging that living in the aftermath of the Great War was no less difficult for many returning soldiers than surviving the actual conflict.”
A tortured but decent sleuth, by Calmgrove, March 3, 2014

And check out his other reviews of Kathryn L. Ramage’s fantasy novels:

Maiden in Light

The Wizard’s Son

Storylandia 12 is now on Sale!

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Paullette Gaudet

Celebrity Sperm Bank

I am so sick of this shit. They should rearrange their letters like I do and call it USuCk. I mean, who do they think they are? They don’t even know who I am, ’cos when I said, “Do you know who I am?” they were all like, “We know you’re about to fail this semester,” and I was like, “Whatever,” and they just told me I’d have to take it up with my professor. So, here I am in Debussy’s office when I could be, like, anywhere else and not soiling my skirt on this sticky, splintery-ass, pseudo-interrogation chair in front of his desk.

He’s got a beard like he’s from the nineteenth-century and goes, “Hello Cecille, it’s nice to finally meet you,” like he’s never seen me before. Which, okay—I guess there’s a chance he hasn’t noticed me in the twelve-thousand people in his American Lit class. And, I guess I’ve never raised my hand, or even been there that often, but still

Sarah Rasher

Prince Charming Rides in from Brooklyn on a Bike

Tonight you’re the one making the booty call. Your logic is flawless: you want to get laid, Grindr scares you, you’re too lazy to make yourself pretty for going out, and it’s going to be four hours until anyone interesting goes near a bar anyway. In the past—and by “past,” we are talking three times, four if you count the night you met—in the past, he has called—and by “called,” we mean texted, this is the modern age—he has called you. Still, you don’t believe this is a faux pas, and if it is, you do not want to be fuck-buddying a guy who’s put off at being the called rather than the caller.

He texts that he will be right over. You primp expediently.

His name is Ethan. You met him at a party thrown by a girl you don’t know who is friends with your friend’s boyfriend. There was punch: two parts pineapple juice, two parts grenadine, eighteen parts tequila. You fooled around in the bathtub and, thank you Jesus and blue agave, immediately friended each other on Facebook. He used this information three weeks later to invite you over. You have never seen him sober.

Kathryn L. Ramage

The Family Jewels

A mystery set in the 1920s, continuing the adventures of Frederick Babington.

It was a beautiful, crisp, and colorful autumn afternoon. Frederick Babington, who was visiting his aunt in the Suffolk village of Abbotshill, decided to take a walk. Though the injuries he’d received during the Great War had taken a long time to heal, he was beginning to feel truly well again. His leg no longer pained him and he’d discarded his cane.

Billy Watkins, Freddie’s manservant who had saved his life during the war and looked after him diligently since, insisted that he take a coat in case the evening grew chilly and not tire himself by going too far. Freddie promised to be back in time for dinner and grabbed his tweed coat down from the rack by the front door on his way out.

He had a delightful time wandering the country lanes around Abbotshill, climbing the green hills and kicking up piles of golden and russet leaves that had fallen under the trees. At dusk, he headed back toward his aunt’s house by way of the Rose and Crown pub; a pint of the local beer seemed just the thing to complete his outing.

Patrick Satcher

The Glint

Why do things have to be so complicated, he thought while watching the boy cry. Old man Johnson, the veterinarian, had come down from the pavilion where both men had seen the race and the accident. Dr. Johnson had administered the shot that made the horse’s spasms stop forever. The boy didn’t stop crying until the tractor came with a chain to drag the carcass down to the far end of the arena. Even then he stood watching the boy.

A glint from the movement brought him back to his place in the stands. Tobacco spittle had sprinkled his white shirt with various shapes of browns. Flecks of sputum had made concentric circles of shadings. Splashes and stains. He must have been mumbling to himself he thought. Then he heard the hurried conversations re-creating the accident.

“Broke one foreleg and I’ll be goddamned if he…..”

“You see that jockey? That old boy sure enough must have broke his back.”

“When’s the next race?”

“And then the other leg tried to catch all the weight and she just busted into a heap.”

“Too bad. What are you drinking anyway?”

Julie Travis

The Ferocious Night

“La mort, c’est le commencement de quelque chose.”
(“Death is the beginning of something.”)—Edith Piaf

The end: when had it begun?

In Geoff’s opinion it had started with the body they’d found washed up on the beach. He was mistaken—a story, a final chapter, does not begin from nowhere, in the fiftieth year of a man’s life; it simply continues—but he was convinced that had they not found the body, he would still be alive.

The storms had thrown a multitude of items onto the beach; piles of seaweed, sections of fishing nets, driftwood, a scattering of stones, many of them big enough to cause injury should a person be struck by one. They were not unusual, but this time the sea had cast up something else. It was not immediately identifiable, just a light coloured shape on the sand. As they approached it, two crows hopped into sight, pecking at whatever it was. It was then that Geoff suspected it was a body. Ever the protective father, he warned Lillian to stay away, but ever the headstrong daughter, she ignored him.

They studied the body.

“What is it?” asked Lillian.

It was a white mass, tapered at one end, about three feet in length. Geoff guessed that its girth was almost as much. It was covered in thick, white fur. The underside was shaggy and dotted with sand. Geoff was almost tempted to stroke it. The top was different. The fur here was unattractive; assimilating, it seemed, with the white stickiness underneath.

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Thank you!

The Wapshott Press would like to thank Ann Seimens and Sam Labutis for their support of this issue.

William Wray, Storylandia 3 cover artist, art show in Los Angeles


Storylandia 13: Three on the Bank

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Three on the Bank
by Kelly Ann Jacobson

Excerpt:

Sam

When Sam was a young boy, he used to play in his grandparents’ pool for hours. Because he was an only child, he had little to do but act out situations, and pretending to drown was his favorite. He would sink to the bottom of the large concrete rectangle, cross his legs Indian style, and push his arms upward to keep himself steady on the ground. As his breath began to run out he would look up at the white pinprick of sun in the distance, the rays making their way through the chlorinated liquid like refracted rainbows on oil patches, and wait until the very last second, when his whole body screamed for air and the panic forced him up up up towards the sky. Reborn, gasping for air, he floated like a baby on the surface of the lapping waves and let the sun warm his chilled skin.

The wedding party is the last to head to the reception, since the photographer insists on taking pictures on every level of the Italian gardens where Sam and Greta said their vows. She snaps shots every two seconds as Sam gives his new wife a hand up the tall bus stairs, though Greta’s face shows only her frustration at heaving her immense chiffon train everywhere, and Sam’s face is already sore from his forced smiles. They are happy of course, but like all brides and grooms, they will be happier still when the stress of this day is over and they can relax with a bottle of champagne in their hotel suite and remind themselves why they went through a year of torturous planning in the first place.

The bus, at least a decade old, contains two stripper poles, one on their end; neon waves of pink and green lights over the windows; glass goblets hung on metal hooks over the bar; blue velvet seats with 80’s style box prints polka-dotted over them; and smells of pine air freshener and age. The bus has made several trips back and forth between the reception hall / parking lot and the Italian gardens where Sam and Greta married, and after five trips, all of their guests have been safely ferried to the wine and cheese plates. The wedding party is the driver’s last run before he can go home, already over an hour late, and Sam wonders whether seeing this side of a wedding every day makes the man love weddings or hate them.
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Storylandia 14: Dead End

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Dead End
by Chad Denton

“Joy Chevern and Rodney Bauman. Their names have been and still are a staple of TV news, talk shows, blogs, and the information networks of both the left and right wings. Writers of made-for-TV movies and PhD theses have all tried to lock down their motives. The only conclusion would-be scholars and Hollywood’s dregs can agree on is that Rodney and Joy have managed to force the entire world to redefine crime and culture.

“This is a risky statement to make at the start of such a book, but I honestly do not know if I have anything new to offer the nation’s conversations on who these people were and what their crimes mean for the future. Instead my only goal is to attempt to pierce the mind of Rodney Bauman, using everything I could piece together from records, interviews, and other sources. With Dead End, I am not trying to make yet another entertainment commodity out of their notoriety, but rather, in spite of my lack of a graduate degree, to make an academic effort to simply understand why. This may seem like a thankless and perhaps even pointless quest, but I have been fortunate enough to enjoy the full cooperation of Bauman himself and the people who know him.”
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Storylandia 15: Collected Stories, by Julie Travis

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Storylandia 15 features five tales of dark fantasy and horror by British writer Julie Travis. “From the Bones,” two ancient corpses are discovered on the wild moors of Devon and Cornwall. For one amateur archaeologist they reveal more about the past—and the landscape—than she’d ever imagined. “Grave Goods,” Edward Dobbs’ excuse for drinking and gambling his family’s money away was, to quote an old saying, ‘you can’t take it with you when you go. His son Eddy is offered a diabolical opportunity to disprove the adage. In “Scar Tissue,” everyone’s life leaves marks on them, physically or emotionally, but Marie was different. No scars, just flawless flesh, a life untainted by injury. “Theophany” shows us a hellish underworld that re-emerges to stalk present-day London, aided by a man with his own, deviant agenda. “Widdershins” brings us a girl who defies folklore and walks counter-clockwise around a church, an act that has repercussions for the rest of her life.

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Julie Travis has been writing horror and dark fantasy fiction since the early 1990s, after a youth spent watching horror films, writing music fanzines and playing bass guitar in a punk band. Her short stories and novellas, which have been compared to Clive Barker, Thomas Ligotti, Catherynne M. Valente and the Stephen King/Peter Straub collaborations, have been published widely in the British and North American slipstream/horror small press, including REM, Kimota, The Third Alternative (now known as Black Static), Psychotrope, Saccade, Premonitions: Causes For Alarm (which received an Honourable Mention in Ellen Datlow’s Year’s Best Horror 2009), Covers of Darkness, Aphelion, Kzine, Urban Occult and two previous issues of Storylandia. She has also appeared in two queer anthologies: Necrologue – the Diva Book of the Dead and the Undead (nominated for the Gaylactic Spectrum Literary Award 2004) and Va Va Voom, has written numerous articles for the gay press and co-founded the Queeruption international music and politics festival. Born in London in 1967, she now lives by the sea in West Cornwall and spends much of her time at stone circles and other sacred sites. Find her at www.julietravis.wordpress.com.

Enjoy!

Congratulations to Megan Feldman on her new book!

Storylandia 16: The Abrupt Disappearance of Cousin Wilfrid

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The Abrupt Disappearance of Cousin Wilfrid

By Kathryn L. Ramage

A murder mystery set in the 1920s. This story begins shortly after Freddie Babington’s first investigation in “Death Among the Marshes.”

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Abbotshill had never been Frederick Babington’s home, but he was as fond of it as he was the environs of Marsh Hall. This tiny village ten miles from Ipswich had once been the site of a medieval abbey, now in ruins. In these modern times, a collection of quaint cottages, a post office, and a brown-timbered tavern sat at the convergence of five country lanes on one side of a mill pond. On the other side of the pond was the old mill with its enormous wheel, more cottages, and shops around a green. The Mill Wheel Inn sat adjacent to an on-request railway platform.

Babingtons had owned the former abbey lands since the days of the Reformation and had been a prominent family in the area for centuries. Many of them still lived in the vicinity… which was where the problem began.

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